Conference 2019:
Frictions and friendships

Informatie

  • RKD - Netherlands Institute for Art History
    19 & 20 June 2019

  • Registration
    Online registration for the conference is now open.
    Regular: € 60 (both days) | € 40 (1 day)
    Student: € 40 (both days) | € 25 (1 day)
    Tickets are available via the RKD webshop

Frictions and friendships. Cultural encounters in the nineteenth century

The Hague, Netherlands Institute for Art History (RKD): 19 & 20 June 2019

Organized by ESNA (European Society for Nineteenth-Century Art), RKD – Netherlands Institute for Art History, The HagueandNWO (Netherlands Organisation for Scientific Research)

The exhibitionThe Dutch in Paris, which was on show in the Van Gogh Museum, Amsterdamandin the Petit Palais, Paris during the fall of 2017andspring of 2018 respectively, aimed to visualize the artistic exchange between DutchandFrench artists between 1789and1914. As part of a larger research project, set up by the RKD – Netherlands Institute for Art History, the exhibition generated so much response that ESNA, in collaboration with the RKDandNWO, decided to organize an international conference on the subject, focusing specifically on international as well as nationalandlocal points of encounterandhow they facilitated artistic exchange.

Programma

Day 1 – Wednesday 19 June

10.00: REGISTRATION / COFFEE & TEA

10.30: Introduction Interactive and Public Expertmeeting Part I – Mayken Jonkman (RKD)

11.00: SESSION 1. Locations

  • “The Alsen Villa Colony outside of Berlin and the artist’s role in an upper-class summer resort”
    – Sabrina Flörke (Brandenburg University of Technology Cottbus-Senftenberg)

  • “All About Vacations: The Feverishly Lazy Sociability of Tourists and Artists in Nice/Nice during the Long Nineteenth Century”
    – Sergio Pace (Politecnico di Torino)

  • “Old Faces in New Places: Leopold Carl Müller and Friends in Cairo”
    – Marsha Morton (Pratt Institute)

12.30: LUNCH

13.30: KEYNOTE LECTURE – Agostina Segatori and the immigrant Italian models of Paris – Susan Waller (University of Missouri-Saint Louis)

14.15: SESSION 2. Artistic encounters

  • “Carl Steffeck and the Painter’s studio – A place of friendship or rivalry?”
    – Stéphanie Baumewerd (Technische Universität Berlin)

  • “The female model-artist collaboration: Julia Margaret Cameron’s and Mary Ryan’s “friendship” in the Victorian Art world”
    – Tamar Hagar (Tel Hai College)

  • “The Making of “Spanish” Painting in Manet’s Paris”
    – Daniel Ralston (Columbia University)

16.00: COFFEE & TEA BREAK

  • 16.30: KEYNOTE LECTURE – Ways to success: Exhibition Strategies of Foreign Artists in Paris (1884-1914) – Maite van Dijk (Van Gogh Museum)

17.15: DRINKS

Day 2 – Thursday 20 June

9.30: Introduction on day 2

  • 9.45: KEYNOTE LECTURE – Lost in translation. The significance of productive frictions and misunderstanding for the arts – France Nerlich (INHA)

10.30: SESSION 3. Mythe versus Reality

  • “From Printmaking to Portraiture: The Negotiation of Dutch Golden Age Heritage in the Work of Félicien Rops”
    – Hannah Rose Blakeley (Princeton University)

  • “In the wake of the old masters: Dutch modern artists in Romantic Britain”
    – Quirine van der Meer Mohr (Dordrechts Museum)

  • ““Adieu la Grèce où j’ai éprouvé tant de déceptions” – Pierre-Jean David d’Angers’ encounter of Greece in 1852”
    – Ekaterini Kepetzis (University of Cologne)

  • “Strategies of Contact: Ivan Kramskoi between Petersburg and Paris in the 1870s”
    – Allison Leigh (University of Louisiana at Lafayette)

12.15: LUNCH

13.30: Interactive and public expertmeeting Part II

14.00: SESSION 4. Exhibitions, part I

  • “Hosting and not Hosting the Avant-garde in Barcelona in the 1910s”
    – Isabel Valverde (Universitat Pompeu Fabra)

  • “Ask the people! Exhibitions on public works in Ghent during the first half of the 19th century”
    – Pieter-Jan Cierkens (Ghent University)

15.00: COFFEE & TEA BREAK

15.30: SESSION 4. Exhibitions, part II

  • ““For the Boers with heart and soul”: shared sympathy displayed by Dutch and American artists at the World’s Fair in St. Louis of 1904”
    – Julia Krikke (University of Amsterdam)

  • “‘Durch das Andere zum Eigenen’ The receptivity to contemporary art from Western Europe in Vienna around 1900”
    – Lisa Smit (Van Gogh Museum)

16.30: Discussion and closing remarks

17.00: END

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